Suraiya, passed away on 31 January 2004, was a
popular Indian Hindi/Hindustani film actress and playback singer in Bollywood.
She was active from 1936 to 1963. No formal
training in singing. No certified acting classes. Yet she ruled the silver
screen for over two decades. One of the most sensational actresses during the
golden eras, Suraiya is remembered for her drop-dead beautiful looks and
melodious voice.
Singing Career
With the help of her maternal uncle, Zahoor (a popular
villain of that epoch), Suraiya grabbed a role of a child artist in "Usne
Kya Socha" in 1937. While accompanying her uncle to Mohan Studios one
day in 1941 to watch the shooting of film "Taj Mahal" directed
by Nanubhai Vakil, she was offered the role of young Mumtaz Mahal in the same
movie. This proved to be another leap towards hitting the chartbusters. She
used to sing for a children's program on All India Radio where she was once
heard over by legendary music director Naushad. He instantly offered her to
sing for Kardar's film "Sharda" in 1942, showcased on an
elderly heroine, Mehtaab. Since she was barely in her teens, she had to stand
on a stool to reach the mike and sing the song "Panchi ja".
Suraiya was later launched in the 1943 "Hamari Baat" as a singing
star. In the years following, she delivered some smash-away hits, but the four
solo songs of "Parwana" film made her a star overnight. The
composer of these songs Khawaja Khurshid Anwar was her favourite music
director, but she went on to sing only 13 songs for him from 1943 through 1949.
Acting Career
After portraying a number of child artist roles, Suraiya was
offered secondary roles as an adult. She starred in K. Asif's "Phool",
Mehboob Khan's "Anmol Ghadi" (written by Aghajani Kashmeri),
and "Dard". But it was "Tadbir" in 1945 that
gave her a major break as the leading protagonist, at the recommendation of
K.L. Saigal. Later, she starred in "Omar Khayyam" and "Parwana"
with K.L. Saigal. But with the migration of ruling actresses Noor Jehan and
Khursheed Bano to Pakistan post-independence, Suraiya got an opportunity to
flaunt her talent and rule the silver screen. With three hits in hand, "Pyar
Ki Jeet", "Badi Behen", and "Dillagi",
Suraiya became the highest paid actress of that time. Further, she even had an
edge over Kamini Kaushal and Nargis simply because she could sing her own
songs. However, the success was short-lived as after a while, her movies
starting bombing on the box office in the 1950s. With "Waaris" and
"Mirza Ghalib", she made her comeback in 1954. The 1963 released
"Rustom Sohrab" was Suraiya's last film as an actor.
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