The fame and appreciation Kamal
Amrohi receives goes far beyond his limited body of work. In 34 years, the
writer-filmmaker only directed four films, but three of them were the Ashok
Kumar-Madhubala starrer Mahal, the Dharmendra-Hema Malini starrer Razia
Sultan, and the film that made the dying Meena Kumari
immortal, Pakeezah.
Amrohi’s cinema was commercially
successful and elegant, showcasing his great eye for detail. His movies told
stories of lovers who were unable to cross the boundaries of social
conventions (Pakeezah), tradition or marriage (Daera).
Amrohi made his directorial debut
in 1949 with Mahal, a reincarnation movie that set the film world
alight. He was just 30 years old when he pitched the idea to Ashok Kumar,
who was running Bombay Talkies then.
Amrohi received acclaim for his deft use of chiaroscuro (the treatment of light and shade) as well as its music, including ‘Aayega aanewala’, one of Lata Mangeshkar’s first big hits in Hindi. Then, in 1953, Amrohi directed Daera, the story of a 16-year-old girl who was forced to marry a man much older than her, but fell in love with a younger neighbour boy. Called “far ahead of its time”, Daera bombed at the box office, but it was important for another reason — it was the first collaboration between Amrohi and his third wife Mahjabeen Bano, whom the world remembers as Meena Kumari.
Pakeezah, which was conceived in 1958 but was not brought to the screen until 1972. He also wrote the screenplay, lyrics and produced the latter. Film Pakeezah (1972) has been called one of the extraordinary musical melodramas ever made in India, although flawed but noble. Meena Kumari herself, in her public comments to the press, after seeing the movie, said that it was Kamal Amrohi's tribute to her. This was followed by Razia Sultan (1983), his last film. Though, he started a film, Majnoon with Rajesh Khanna and Rakhee Gulzar as leads, however the film got shelved.
He wrote scripts for the movies made
by Sohrab Modi, Abdul Rashid Kardar and K. Asif. He was one of the four
dialogue writers for the latter's famous 1960 movie, Mughal-e-Azam,
for which he won the Filmfare Award.
As a
director, he developed a style that combined a stylised direction with
minimalist performances. This style was different from the one with expressive
acting that was common in Indian cinema of his period.
It was mentioned that the last
movie he wanted to make was called Aakhri Mughal. He had written a substantial portion of the
script. But it went into oblivion after his death. Noted film maker J P Dutta
was to revive the film in the late 1990s which was supposed to have been
Abhishek Bachchan's debut movie. But later Dutta scrapped the project. He was
again planning to revive the film in 2007 after the debacle of his costume
drama Umrao Jaan (2006) remake from the cult film from the
1980s.
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